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Epiphone B.B. King Lucille

Epiphone B.B. King Lucille

฿ 32,000 ฿ 28,800

Epiphone B.B. King Lucille

  • เมื่อ B.B. King ได้ทำการบันทึกเสียงครั้งแรกที่ Memphis Recording Services ของ Sam Phillips King จนเป็นที่รู้จักในฐานะนักร้องที่มีพรสวรรค์และในความเป็นจริง เขาไม่ได้เล่นกีต้าร์เป็นหลักตั้งแต่แรก แต่ทุกอย่างจะเปลี่ยนไปในช่วงกลางยุค 50 ขณะที่ B.B. Kingและกีตาร์คู่ใจที่มีชื่อเล่นว่า Lucille กลายเป็นหนึ่งในเสียงร้องของดนตรีบลูส์ในแบบของเขา ผลงานเช่น Rock Me Baby, Sweet Little Angel, Sweet Sixteen, and The Thrill Is Gone ซึ่งเป็นเพลงบลูส์ที่ได้ถูกวางอยู่ใน Top 40 charts ทำให้ตัวเองและลูซิลล์กลายเป็นศิลปินบลูส์คนแรก เซ็นสัญญากับค่ายเพลงรายใหญ่และด้วยรูปแบบเสียงกีตาร์และเอกพจน์ของเขาเป็นแรงบันดาลใจให้แก่ศิลปินเพลงบลูส์และร็อคที่ยิ่งใหญ่อย่าง Otis Rush, Albert King, Buddy Guy, Michael Bloomfield, Duane Allman และ Magic Sam

Epiphone B.B. King Lucille

  • When B.B. King made his first recordings for Sam Phillips’ Memphis Recording Services, King was initially known as a talented vocalist and in fact didn’t always play lead guitar on his early records. But that would all change by the mid ‘50s as King and his guitar, nicknamed Lucille, became the voice of the blues. With hits like “Rock Me Baby,” “Sweet Little Angel,” “Sweet Sixteen,” and “The Thrill Is Gone,” King put the blues on the Top 40 charts, made himself and Lucille household names, became the first blues artist signed to a major label, and with his singular vocal and guitar style, was an inspiration to a mighty generation of blues and rock artists including Otis Rush, Albert King, Buddy Guy, Michael Bloomfield, Duane Allman, and Magic Sam.

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Additional information

Body Types

Archtop

Brands

Epiphone

Instrument

Guitar Electric

Colors

Ebony Rosewood Neck

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The Thrill Is Back

Lucille’s ES-style body shape features a maple top and body and is constructed without f- holes. King has always preferred ES style guitars, most prominently the ES-355. To get the tone and volume combination that he wanted for his sound, King found he was often on the verge of feedback. His solution was to ask the Kalamazoo factory to make a version of Lucille without f-holes.

King’s new Epiphone design incorporates three decades of refinements with stunning results. The hand-set 24.75” scale hard maple neck has a 1.68” nut with a SlimTaper™ “C” shape, perfect for chording or solos. Lucille’s fretboard has pearloid block inlays, a classic Epiphone Sloped Dovewing headstock, and a gold metal truss rod cover engraved “B.B. King.”

Rock Me Baby

Lucille’s biting tone comes from two Epiphone Alnico Classic™ humbuckers with gold covers framed by a classic multi-bound tortoise shell style pickguard with historic metal “E” insignia. An indelible part of King’s sound also comes from his subtle use of the Vari-tone ™, control which is identical in principle to the vintage models that King uses on stage.

The VariTone™ uses a six-way rotary switch which engages 5 pre-set notch filters and a bypass. In position one, the VariTone™ is completely bypassed. As you rotate the rotary switch into positions 2-6, the center frequency of the notch filter shifts from around 1.9kHz down to 130Hz, providing a player with a wide tonal palette unavailable on most other instruments. Positions 2 through 4 offer tonal shaping while still maintaining great clarity. Position 2, (5db at 1960 Hz) is B.B.’s favorite!

But keep turning and you’ll find Positions 5 and 6 shape-shift the Alnico Classic™ Humbuckers into a single-coil style pickup but without the thin quack usually associated with traditional single coil pickups. Add it all up and between the 6-position VariTone™ circuit and the 3-position toggle switch, you have 18 unique tones available.

Outputs include a 1/4” Mono output (both pickups or neck pickup in Stereo mode) and 1/4” Stereo (bridge pickup). Along with an ebony finish and gold hardware, the B. B. King Lucille also features the Grover® machine heads and Epiphone’s famous LockTone ™ Tune-o-matic bridge with a TP-6™ fine-tuning StopBar ™ tailpiece for precision intonation during bends.
Epiphone BB King Lucille
Semi-Hollow Body with no “F” Holes
Body: Laminated Maple Top, Back & Side
w/Body Binding
Neck: Maple w/ Rosewood Fingerboard,
Block Inlays w/Neck & Headstock Binding
Frets: 22
Pickups: 2 Humbucker w/Vari-Tone
Controls: 2 Volume, 2 Tone, 3-way switch
Hardware: Tune-O-Matic Bridge, TP-6 Fine Tuning
Tailpiece, Grover Machine Head, Gold
Case: N/A